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M1 Opening Scene Out Now!

Showing posts with label James Taylor. Show all posts
Showing posts with label James Taylor. Show all posts

Sunday, 10 June 2012

Final Evaluation James Taylor


Media Product Evaluation

The story of our media product is that of a dysfunctional drug dealer, losing money to one of his employees and then seeking revenge. This story is similar to the movie ‘Shifty’ an independant film by WARP films.

The film itself is classed as an urban fiction, which is described as “a literary genre set, as the name implies, in a city landscape; however, the genre is as much defined by the socio-economic realities and culture of its characters as the urban setting.” Our film was filmed including inexperienced actors and in and urban setting which required no budget.

The story of the film is linear, which is a story which has a beginning a middle and an end in contrast to non-linear, which may have breaks within the structure for such things as Flashbacks to an earlier time etc.

We focused the camera on the main elements of ‘street life’ for example the social interaction of a knuckle bump between the drug dealer and his associate in the first scene of the movie. We also used freehand shots to film the chase scene with transitions in between for dramatic effect. This along with the editing, using fast cuts and transitions made the movie much more jerky.

As the film was only two minutes long, we had to show as much about the characters as possible and their backgrounds, for example their drug habits and the fact that they live in council houses. This with the graffiti scattered around the surrounding area made the characters appear much more dangerous than they are. We used a font called Ghettomarquee for our titles to give the impression that the titles are old and worn out.

In the film we have represented the Hood/drug dealer stereotype. We have portrayed the characters in a way that they fit the stereotypes of a Hood. For example we portrayed the characters as unhygienic with ill fitting clothes. As this is what the stereotype represents, we also went as far as to create fake drugs to make the stereotype more believable, and people see the character as not only addicted to drugs but selling them, as there is a stash of ‘cocaine’ on one side of the room surrounded by the rest of his drugs arsenal, but also a flat screen t.v. at the other side of the room.

When choosing locations to film we had to look for certain aspects within that location, for example, it had to be in an area which may look run down or deserted, with graffiti on the walls, this ties in with the stereotype of a drug dealer, that drug dealers take drugs, this is to stay away from police and not get caught.

When thinking of mise en scene we had to think outside the box of a normal everyday character and do some research, a lot of findings related back to shifty, and the way that the drug dealer does not just sell the drugs, but doesn’t take them. In our film the closest the drug dealer gets to taking recreational drugs is smoking a cigarette.

As urban fiction don’t really appeal to a wide audience, i think that the media product would be distribute by one of the smaller distribution companies, for example metrodome distribution, who distribute many warp films. And also movies of similar genres to ours such as Shifty. In terms of budget i think that it would have a small budget. The budget may come externally from many different sources, such as the national lottery fund. External sources of income are usually used to encumber some if not most of the budget for most independent films

Content wise, i think that if metrodome was to distribute the film i think that they would be able to use actors with more experience than we did, making the quality better and also making it run smoother. However, in terms of editing, i don’t think they would do any different as they use Final Cut Pro as we have used, apart from using a different version.

The target audience of our film would be similar to that of Shifty - a small audience, maybe a locale audience from the area in which the film was filmed, for example More people watching the film from Barnsley than say somewhere else where movies are more prominent such as Hollywood. This is due to the film being an independent film with a small budget. The small budget means that we won't be able to advertise the film as much as a big Hollywood blockbuster such as The Avengers or 21 Jump Street.

Before filming - in pre-production, we decided to do a bit of Market research, this took the shape of a questionnaire drawn up with an outline of the storyline, telling the person answering the questionnaire what we aim to achieve within the product. We then asked the participant questions based on the information we gave about the film. We had one reply to a question, asking "Would you want to watch the rest of the film, and see what happens?" The Answer was "Yes, definitely" Showing some interest in the film in it's preliminary stage. Upon receiving feedback we acted upon the reaction, by adding 3 characters instead of two, making the film seem more believable.

We posted the video on line and asked for an audience representation. We asked for some feedback and we took into account what the audience, said. For example, some members of the audience noticed continuity errors, in what we missed during editing. And also noticed that the story was well written and smooth. This is one thing that not only the audience liked, but also what we as a group enjoyed as well. We enjoyed the fact that constructive criticism helped us develop our film. When working out a age certification, for example, to show a trailer on line for feedback, we decided to choose Age rating 15. This is due to the language and drugs use not suitable to children.

To further improve my work, I could go through the film and sort out various continuity errors not picked up by the group, but had been picked up by the audience. If a budget was introduced then the film would also be of higher quality

When making decisions affecting technology we looked at two main areas - reliability and convenience. All the editing was done on an apple Macintosh computer, this was used to the convenience of the apple macs in College being free of charge and having everything we need within the computer. Programmes we used within the computer are such things as Celtx, which was used
to create the script. The computer had access to the Internet, due to the college's free wifi. In Which we were able to upload our posts and research straight to our Blogger account (www.bcasmedia2012.blogspot.com).

When conducting audience research we used various social networking sites to get through to our potential audience. We used Facebook and Twitter, and posted monthly blogs regarding the film making process on Youtube, to gain some PR.

During the time working on the film, I have learnt much about Editing and Filming. Especially when using effects, for example, inserting fade in/out and created Rolling titles, choreographing the camera shots to the music, was also a skill I learnt, and a skill which I thought was handy to have when editing. It made the music soundtrack and the film flow smoother. I had to take in to account time signature and tempo when editing the sound track. This has all helped me during the filming and editing process to gain the best possible grade that I can, and it has also helped me whilst writing up this evaluation.

As well as positives there have also been negatives to focus on and work around. For example, at the beginning of the project we were a 4 man group. One of our group members stopped coming to lessons on a regular basis, and started showing up when it suited him best. This meant that the workload for us was more but it also meant that the work was ours and no-one Else's. Internet issues and weather also affected the filming process, in which we had to post pone filming due to the weather not being suitable. At one point during the filming we lost the tape, and also taped over some shots, this meant that we lost out on valuable editing time, affecting the final piece.

In comparison to the Preliminary task, which had simple actions and dialogue, I think that I have managed to become better at camera work, acting and editing. This came with practise as the more time I spent with one area, the better I got with it. In the preliminary task the editing was hard and a lot of assistance was given, in comparison to the film I have just done, where assistance was not needed as often however some learning curves were still reached as there was two different filming environments.

As well as the improvement of camera work and editing, I think I have gotten better at external aspects of the course, such as HTML coding, which was used when embedding videos and pictures onto blogger.This also came with practise, and was tedious to do.

Tuesday, 1 May 2012

M1 Opening Sequence Premier

Here you have it, the first two minutes of 'M1', a Scarlet Afro Production.
Tell us what you think below!

Tuesday, 13 March 2012

Risk Assessment V.2




About me: Barry Sticklesborough
 Family: Mother, Father, Dog.

Sex: Yes Please
Birthday: 27-11-91
Current City:Barnsley
Hometown: Wombwell
Relationship: Single

Interested in: 
Political: EDL

Religion: Meh

Activities: Drugs 'n' shit

Interests: MKAT, MDMA, Micro dots, Smarties.

Sports: No
Music: No
TV Shows: No
Books: No

Thursday, 8 March 2012


Patrick 'Paddy' Mcgowen

About me: I’ve just been released from a youth detention center and I’m currently trying to turn my life around
 Family:  Disowned by my mother

Sex: Male
Birthday: 27 11 1992
Current City: Barnsley
Hometown: Wombwell
Relationship: Single

Interested in: Drugs n stuff.
Political: Far Right

Religion: Sado masochism

Activities: Drugs

Interests: Drugs

Sports: Sex
Music: Drugs don’t kill people, rappers do.
TV Shows: Police on patrol
Books: n/a

Friday, 2 March 2012

Location shots and descriptions.

Interior shots are going to be filmed in this location, 45 poplar Terrance

Chase scene is going to be filed in the car park.

This is a Birds eye view of the working men's car park we may be using

This is a bird's eye view of the interior location

Treatment for 2 minute movie.

Our two minute movie starts with the title sequence, using fade to blacks to seperate the shots and titles. The titles show each of the cast members' names and the opening shots of the movie. For example establishing shots of the council estates and the house where Paddy Lives. After this the  camera cuts to Paddy getting ready to go out do his daily errands, the camera introduces the other character, Barry. Dealing some drugs and acting shifty. Paddy is walking down the street, and comes across Barry, a drug dealer he used to work for, in which he still owes over five thousand pounds to, a chase ensues across streets and alleyways, which ends with Barry catching up to Paddy and demanding his money back.

Thursday, 1 March 2012

Treatment for full 90 minute movie

Barry is a contempory drug dealer, from Barnsley, South Yorkshire. He deals drugs in the style potrayed in the media where as shifty drug deals take place down alley ways, and in the shadow of society.Paddy is the other main character within the film. He was one of Barry's drug mules, shifting his supply of drugs to customers, until the day he was mugged and lost over £5,000. Barry, finds out about the lost money, and immediatly tries to gain all contact with Paddy, with no avail. During a chance drug deal near Paddy's house, Barry Corners Paddy, but before the situation Escalates, Barry is scared off by the threats of the police, and especially with him carrying drugs with a street value of ten grand, Barry scarpers and vows to return to get his money.

Paddy, having no money himself, has to avoid Barry, but this doesn't last long. Barry, hires some muscle to go with him to break into Paddy's flat, and steal possesions worth approximatly the same amount as the drugs that were stolen. This doesn't end well, as Paddy comes home and founds his house empty. All his posessions had been taken, in which Paddy swears revenge. Paddy returns the favour by going to Barry's lock up and returns the favour. Barry finds Paddy trashing his lock up. But the two former friends are once again reunited by escaping a police raid.

Our Production Logo

Thursday, 2 February 2012

Research into possible distributor.

The logical approach to finding a suitable distributor we would have to look into similar movies (Dead man's shoes, Shifty) and look into their distributors and provide the best distribution available for our film.


For example Shifty's distributor is the company Metrodome Distribution. Shifty is a movie, which is  similar to our film, for example; both movies, incorporate drugs within the titles, As well as small time mobsters  in which the main character's both owe money to.

Metrodome is a fully integrated rights management and distribution business which provides its industry expertise to maximise revenues for producers of film and TV content across all distribution platforms in the UK.


Dead Man's Shoes was distributed by Optimum Releasing which is now called Studio Canal. Dead Mans Shoes is of a similar nature to our film incorporating both drugs and violence into its storyline. 


STUDIOCANAL is the pan European film, production and sales distribution arm of French media group, Canal+. The UK arm, formerly known as Optimum Releasing, has established a reputation for an innovative approach to distribution and has enjoyed success with a varied mix of film titles across all genres. A passion for film and commitment to creativity is central to all of STUDIOCANAL's activity.



Revolver Entertainment is one of the UK & Eire’s leading ‘All Rights’ distribution companies, shaking up the industry with a unique approach to managing its enviable and edgy slate of Film and DVD releases.
Specialists in delivering maximum media coverage and awareness via multi-platforms, with Revolver Books and 357 Records also operating under the Revolver umbrella, we are an aggressive all rights brand marketing entity, with in-house Theatrical, Home Entertainment and Digital Sales, and a large marketing and publicity team handling all our titles. 

Friday, 27 January 2012

Research into Similar Films.

The film is a urban thriller, to aid us in creating our film and staying true to the genre in am researching films which have already been made in this genre.
A few british Urban Thrillers are ones such as:

Dead Man's Shoes (Warp):
A disaffected soldier (Considine) returns to his hometown to get even with the thugs who brutalized his mentally-challenged brother (Kebbell) years ago.
Review at: http://www.guardian.co.uk/film/2004/oct/03/philipfrench
Official Website: http://www.shanemeadows.co.uk/deadman.htm

KiDULTHOOD:
A day in the life of a group of troubled 15-year-olds growing up in west London.
Review at: http://www.guardian.co.uk/film/movie/110817/kidulthood
Official Website: http://www.kidulthood.co.uk/

Shifty:
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home.
Review at:http://www.telegraph.co.uk/culture/culturecritics/timrobey/5207893/Shifty-review.html
Official Website: http://www.facebook.com/pages/Shifty/44156913253

Film Certification.

Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
  • where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
  • where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
  • where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.

Sex education at ‘18’

Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.

Sex works at ‘18’

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.

Film Certification.



Discrimination

The work as a whole must not endorse discriminatory language or behaviour.

Drugs

Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

Horror

Strong threat and menace are permitted unless sadistic or sexualised.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.

Language

There may be frequent use of strong language (for example, ‘fuck’). The strongest terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.

Nudity

Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.

Sex

Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

Theme

No theme is prohibited, provided the treatment is appropriate for 15 year olds.

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

Film certification.




Discrimination

Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.

Drugs

Any misuse of drugs must be infrequent and should not be glamorised or give instructional detail.

Horror

Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied, or appear pain or harm free. Easily accessible weapons should not be glamorised.

Language

Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be infrequent.

Nudity

Nudity is allowed, but in a sexual context must be brief and discreet.

Sex

Sexual activity may be briefly and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.

Theme

Mature themes are acceptable, but their treatment must be suitable for young teenagers.

Violence

Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.